Analogous Color

Generate harmonious analogous colour palettes from any base colour. Control spread angle and count, then copy CSS custom properties ready to paste.

color palette analogous
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Analogous Color Generator creates a palette of colours that sit side by side on the colour wheel, sharing the same saturation and lightness as your chosen base colour. Choose a base colour, set the spread angle and the number of swatches, then copy the ready-to-use CSS custom properties — everything runs entirely in your browser.

What are analogous colours?

Analogous colours are groups of hues that are adjacent on the colour wheel, typically within a 30° to 60° arc of each other. Because they share a family relationship, they naturally harmonise without creating the tension of complementary colour pairs. This makes analogous palettes a popular choice for backgrounds, gradients, hero sections and any UI that needs a calm, cohesive feel.

The term comes from the Greek analogos, meaning "proportionate" — the colours are proportionately spaced around the wheel.

How the generator works

  1. Parse the base colour — you can enter a #hex code, an rgb(r, g, b) value or use the colour picker. The input is converted to HSL internally.
  2. Distribute hue angles — the generator places the base hue at the centre and spaces the remaining colours evenly at ±(spread / half-count)° intervals. For example with 5 colours and 30° spread, the hues are spaced 15° apart: −30°, −15°, 0° (base), +15°, +30°.
  3. Preserve S and L — saturation and lightness stay identical for all swatches, so the palette reads as a true family. Changing the spread or count never oversaturates or darkens the colours.
  4. Output CSS variables — each colour is named --color-base, --color-a1, --color-a2 for colours on the positive side and --color-b1, --color-b2 for the negative side.

Spread and count controls

Spread (5°–60°) sets the total arc of the palette. A 30° spread is the classic analogous range. Below 15° the colours look almost identical; above 45° they start to feel less related. 60° is the commonly accepted maximum for an analogous scheme.

Number of colours (3–9, odd numbers only) keeps the base colour centred in the palette. Use 3 for a minimal accent pair; use 5 or 7 for a richer gradient-friendly range.

Clicking a swatch copies the hex code

Click any swatch to copy its hex value to the clipboard. This makes it quick to drop individual colours directly into a CSS file or design tool without copying the entire CSS block.

Use cases

  • UI themes — use 5 analogous hues as primary, secondary, tertiary and surface colours that read as one family
  • Hero gradients — a 3-colour analogous spread creates smooth, natural-looking linear gradients
  • Data visualisation — analogous palettes work well for adjacent chart segments where you want contrast without aggressive colour jumps
  • Brand extensions — derive supporting accent colours from a fixed brand hex while maintaining visual harmony

FAQ

How is this different from the Palette Generator tool?

The Palette Generator covers multiple harmony types (complementary, triadic, tetradic, monochromatic) with one swatch each. The Analogous Color Generator focuses exclusively on the analogous harmony and lets you control exactly how many colours you want and how wide the spread is, giving you finer resolution for gradient or theme work.

Why are all colours the same saturation and lightness?

Keeping S and L constant isolates the hue as the only variable. This produces mathematically clean analogous harmony. If you want tints or shades on top, copy the hex values and adjust them in your CSS or design tool.

Can I get more than 9 colours?

The slider tops out at 9 to keep the palette usable. Beyond 9 swatches the individual colours become too close to distinguish at normal screen size. For larger palettes, duplicate the tool output and combine two overlapping spreads.

Why are only odd numbers available in the count slider?

An odd count ensures the base colour always occupies the exact centre position. An even count would shift the base to one side and break the symmetry of the palette.

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